Showing posts with label sasquatch. Show all posts
Showing posts with label sasquatch. Show all posts

Tuesday, February 23, 2010

Massive Attack - Heligoland


About a month or so ago, Jon was surprised to hear me say that I wasn't looking forward to the fact that Massive Attack was finally about to release a new album. He was probably surprised because I recently had introduced him to Massive Attack; I clearly loved the shit out of them and wanted to share Massive Attack's thick black trip-hop love with him and anyone else who would listen. Only now I wasn't excited about the fact that Massive Attack was finally releasing a new album after a fucking 7-year long wait (and essentially a 12-year wait, seeing as their 2003 release 100th Window didn't involve all the usual members), and this was understandably odd.

Here's why I was somewhat ambivalent: I had heard the track "Splitting the Atom," which had been leaked around 6 months or so ago, and which was to be included on the new album, Heligoland. And I'll be honest...it's a horrible track. The pulsating, beautifully dark music that I had fallen in love with had somehow been replaced by sheer gloomy loops, with an annoying distorted baritone voice that detracted further from the music. I was pretty worried that the decade-long collaborative hiatus had essentially killed off whatever semblance of Massive Attack's unique songcrafting ability might have remained.

But I would hate to pass judgement on one of my all-time favorite groups after hearing one song. So when it came out at the beginning of this month, I gave Heligoland a good few listens, put it down, and didn't come back to it until now. And while I'm still not insane about it, I've come around to it. I think it's a lot better than Pitchfork did (they ripped it a 5.0), and while it still has that stupid track on it, it also has some true highlights.

There are a lot of guest performances on the album, more than usual for the group. 4/5 of the album is made up of tracks featuring TV on the Radio's Tunde Adebimpe, Elbow's Guy Garvey, Gorillaz's Damon Albarn, Martina Topley-Bird, and Horace Andy (a usual suspect with Massive Attack). I could go through each of them, but I have a feeling that different people will gravitate more towards different vocalists and tracks. All of them are good (with the exception of "Splitting the Atom" ... and I'm not a huge fan of the Guy Garvey track, which sucks because I love Elbow), but I think the second half of the album is where it comes to life – or, Massive Attack's idea of life. The nearly 8-minute closing track, "Atlas Air," is incredible. And "Paradise Circus," of which Keegan already posted a remix, is hauntingly beautiful.

With Massive Attack headlining at Sasquatch!, I have hope once again for this group. I'll likely return to give them another look once I see them live, at which time I will hopefully be able to complete my verdict. But until then, definitely give Heligoland a listen or two. Who knows when how fucking long we'll have to wait for their next album...

Monday, February 22, 2010

I had to kill a panther with my bare hands to be allowed on the Cheetah


Sup beezies. I'm Tim. If you are one of the people who currently read/contribute to this blog, I'd put pretty good odds on the fact that you already know who I am. Probably like 2 to 1 odds. Those are good odds. Anyway, I'll be on here from time to time to distract people like Keegan from tagging everything with ELECTRO, and FRANCE, instead replacing them with things like, PSYCH-POP and RADIOHEAD. I'm looking forward to changing the Cheetah Love world...forever....

Ok. First knowledge drop from Tim: Caribou. Get on this shit people. Look at this goofy-looking Canadian fucker:



I don't know what it is about Canadians and swanky retro electro awesomeness (see: Junior Boys...mmmm); maybe it runs in the syrup or something. But you are looking at a guy who chose his name after dropping acid in the middle of the Canadian woods somewhere – oh, and his name was "Manitoba" before he changed it. Quite frankly, that's all you need to know. But fear not little birds, I will tell you more.

Caribou's music covers a pretty wide range, but the album that really got me into his music is the 2007 release Andorra. From the opening track on, I was sold. "Melody Day" gives you a pretty good feel for Caribou's sensibilities: much like it could be said that M83 is eternally sad that the 80s ended, Caribou seems to lament the loss of 60s swingers and flower children:



Now, his musical style has changed a lot over the course of his albums, but I've never disliked anything I've heard. His next album, Swim, is slated for release in April of this year, and I'm sure it promises to switch things up yet again. But if you want really genuine, original modern electronica that still somehow nostalgically captures a bygone era without feeling like a shtick, then check him out. Which, by the way, YOU CAN DO AT SASQUATCH BECAUSE HE'S TOTALLY GOING TO BE THERE!!!